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Ongoing Art Exhibits in Davis

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Installation view of works by Phillip Byrne, left to right: Organ for a Future Body, After the End of the World, Aggregating Cocoon (Metamorphosis), all 2024. Photo: Muzi Rowe
Installation view of works by Phillip Byrne, left to right: Organ for a Future Body, After the End of the World, Aggregating Cocoon (Metamorphosis), all 2024. Photo: Muzi Rowe

Debuting at the Manetti Shrem Museum of Art: Phillip Byrne, Beatriz Cortez, Kang Sung Lee, and Candace Lin’s Entangled Writing.

At the Manetti Shrem Museum of Art until Dec. 29, 2024.

Installation view of sculptures of Beatriz Cortez’s steel sculpture “Adrift in a Mirrored Sea (Hansbukta),” 2024 (foreground) and Phillip Byrne’s “Before We Become Spirals,” 2024. Transoceanic aluminum-lined cable casings found in a Villeperdue recycling plant, earth residue, rivets, steel and zip ties.  Photo: Muzi Rowe
Installation view of sculptures of Beatriz Cortez’s steel sculpture “Adrift in a Mirrored Sea (Hansbukta),” 2024 (foreground) and Phillip Byrne’s “Before We Become Spirals,” 2024. Transoceanic aluminum-lined cable casings found in a Villeperdue recycling plant, earth residue, rivets, steel and zip ties. (Muzi Rowe/ photo)

Entangled Writing presents new work by Phillip Byrne, Beatriz Cortez, Kang Sung Lee, and Candace Lin in the realm of sculpture and installation. The featured artwork explores how people and objects move across time and space allowing for different versions of reality to exist. 

This exhibition spotlights artists making a splash on the international arts scene: Kang Seung Lee and  (ٺƵ associate professor of art), both of whom are featured in the current Venice Biennale; Candice Lin, who was in 2022’s biennale; and recent ٺƵ M.F.A. graduate Phillip ByrneRead a full press release here. (Aug. 8–Dec. 29, 2024)

Ritual Clay: Cathy Lu, Paz G, Maryam Yousif

Paz G, SPIRITUAL CHAINLINK, 2022. Stoneware, glaze, 14 x 14 x 6 in. Courtesy of the artist. © Paz G
Paz G, SPIRITUAL CHAINLINK, 2022. Stoneware, glaze14 x 14 x 6 in. Courtesy of the artist. © Paz G

Avaliable until Dec. 29, 2024 at the Manetti Shrem Museum of Art

Ritual Clay brings together recent ceramic work by Cathy Lu, Paz G and Maryam Yousif. These contemporary Bay Area artists are united by their shared interest in clay as a link to the past and as a conduit of cultural knowledge. They channel ancient archetypes and spiritual mythologies as a way to reckon with inherited histories. For each of them, there is power in clay’s iconographic as well as ritualistic past that opens a path for exploration of their own origin stories.

Curated by Ginny Duncan, curatorial assistant

Light into Density: Abstract Encounters 1920s–1960s

From the Collection of Jan Shrem and Maria Manetti Shrem

Available until May 5, 2025 at the Manetti Shrem Museum of Art

Joan Miró, Femme et oiseau (Woman and Bird), 1944, oil on canvas; 8 3/4 x 6 1/4 in. (22.23 x 15.88 cm). The Fine Arts Collection, Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Fractional gift to the Jan Shrem and Maria Manetti Shrem Museum of Art and San Francisco Museum of Modern Art from Jan Shrem and Maria Manetti Shrem. © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2024. Photograph: Katherine Du Tiel
Joan Miró, Femme et oiseau (Woman and Bird), 1944, oil on canvas; 8 3/4 x 6 1/4 in. (22.23 x 15.88 cm). The Fine Arts Collection, Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Fractional gift to the Jan Shrem and Maria Manetti Shrem Museum of Art and San Francisco Museum of Modern Art from Jan Shrem and Maria Manetti Shrem. © Successió Miró / Artists Rights Society (ARS), New York /ADAGP, Paris 2024.  (Katherine Du Tiel/ photo)

The works in Light into Density come from the collection of art lovers and museum founding donors Jan Shrem and Maria Manetti Shrem, and are shared between the Manetti Shrem Museum and San Francisco Museum of Modern Art — the two museums the couple has supported the most.

Light into Density is the museum’s first student-curated and student-designed exhibition. Most of the 15 paintings — including works by Francis Bacon, Salvador Dalí, Vassily Kandinsky, Wifredo Lam and Joan Miró — are on public view for the first time in decades. Thirty-two undergraduate and graduate art history, museum studies and design students worked on the exhibition throughout the past year as part of dedicated classes. Their goal was to demystify abstract art and to encourage visitors’ personal interpretations.

Read more here:  

At the Gorman 

'Brenda Mallory: In the Absence of Instruction'  at the Gorman Museum of Native American Art

Old Homeplace, 2024. Rice paper, cloth, encaustic, hog rings on panels. 135 x 180 x 2 in.
Brenda Mallory: Old Homeplace, 2024. Rice paper, cloth, encaustic, hog rings on panels. 135 x 180 x 2 in.

Available until Jan. 26, 2025, at the Gorman Museum of Native American Art

In the solo exhibition, Brenda Mallory includes prints, multi-media and installation artworks to consider the complex relationships and structures of power and identity.  In the Absence of Instruction explores an intersection of themes from the past and present to express new forms of cultural knowledge despite historical disruption. By creating multiple forms that are joined with crude hardware that imply tenuous connections or repairs, her work addresses ideas of interference in long-established systems of nature and human cultures.

A citizen of the Cherokee Nation who grew up in Oklahoma, lived experience deeply informs her practice, as do the histories of survival inherent to Indigenous peoples.

Read more about Mallory and her work here:  

The Collections Gallery

Availiable until Sept. 2025, at the Gorman Museum of Native American Art

The Collections Gallery features a selection of artworks from the Gorman Museum Collections on a rotational basis. The current exhibition is a survey spanning across the collection.

Display cases in the Collections Gallery serve as visible storage, housing much of the museum's ceramic and basketry collection.  By moving museum collections from storage into prominent long-term exhibits in the main public galleries, the Collections Gallery provides enhanced visibility, access, and engagement to collections for visitors while also furthering university teaching and research. 

Read about the exhibit here:  

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