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Studies in Art History and Music

Quick Summary

  • Art history professor Talinn Grigor: 鈥淭he Persian Revival鈥
  • Jessica Bissett Perea explores Inuit music over a range of genres
  • Join author Juan Diego D铆az for a livestreamed talk Nov. 11
"The Persian Revival" book cover
  • The Persian Revival: The Imperialism of the Copy in Iranian and Parsi Architecture
  • By Talinn Grigor, professor of art history

Grigor 鈥渁rgues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste,鈥 according to the publishers description. Reviewer Christina Maranci, author of Medieval Armenian Architecture: Constructions of Race and Nation, says Grigor鈥檚 volume 鈥渋s a finely wrought, insightful and successful contribution to the study of the reception of ancient Iran in the modern world.鈥


"Sound Relations" book cover
  • Sound Relations: Native Ways of Doing Music History in Alaska
  • By Jessica Bissett Perea, assistant professor of Native American studies

In her first book, Bissett Perea offers radical and relational ways of listening to Inuit performances across a range of genres 鈥 from hip-hop to Christian hymnody and traditional drum songs to funk and R&B 鈥 to register how Indigenous music can sound out entanglements between structures of Indigeneity and colonialism. Reviewer George Lipsitz, author of Footsteps in the Dark: The Hidden Histories of Popular Music and Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place, says Sound Relations is 鈥渁 magnificent achievement, a profoundly path-breaking and persuasive work of decolonial scholarship that enriches Indigenous studies, sound studies and cultural studies by presenting original and generative new concepts, ideas and terms.鈥


  • Africanness in Action: Essentialism and Musical Imaginations of Africa in Brazil
  • By Juan Diego D铆az, assistant professor of music

D铆az counters misperceptions of African music as primitive, exotic and monolithic, by examining the perspectives of Black musicians in Bahia, Brazil, a site imagined by many as a diasporic epicenter of African survivals and purity. According to the publisher, D铆az argues that the Bahia musicians assert Afro-Brazilian identities, promote social change and critique racial inequality by creatively engaging essentialized tropes about African music and culture. Reviewer Kofi Agawu of The Graduate Center, City University of New York, says: 鈥淐ombining attention to discourse and rhetoric with detailed musical analysis, the author unveils the multiple truths of influence, invention, self-definition and aspiration.鈥

Diaz will be the guest for the next installment of .

The 嘿嘿视频 Books Blog, a project of News and Media Relations, announces newly published books by faculty and staff authors, and awards and events related to books by faculty and staff authors. Contact the books blog by email.

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Dateline Staff: Dave Jones, editor, 530-752-6556, dateline@ucdavis.edu; Cody Kitaura, News and Media Relations specialist, 530-752-1932, kitaura@ucdavis.edu.

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