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Two Master of Fine Arts candidates present their thesis choreographies, new works exploring the realms of human touch and identity, starting Feb. 21.

• Ligilo, by Jarrell Iu-Hui Chua, in collaboration with Bobby August Jr., travels through the worlds of memories, dreams and present realities to investigate touch and its effects on relationships.

• Transmutation, by Christine Germain, in collaboration with Andrea del Moral and Deirdre Morris, examines questions of personal identity and shifts in identity.

“Ligilo” means “link” in Esperanto, a language that represents the choreographer’s ethnic sensitivities. She and August Jr. are “hapa,” a term that Chua lovingly uses to describe their half-Asian heritage. Their hapa experiences of prejudice growing up in America are a core element in the choreography, as is personal trauma from which Chua is recovering.

Emanating from these painful themes, Ligilo portrays anger and violence as performers Chua and August Jr. physically connect and disconnect.

Transmutation also has an autobiographical base, drawing from all three choreographers’ lives, including the French-Canadian Germain’s various experiences as an immigrant in the United States and elsewhere.

“Relocating a number of times, I found myself frustrated not speaking the language well, being misunderstood and misunderstanding others,” she said. “Injuries also affected how I saw myself. I became sensitive to, and interested in, the shifting of identity occurring after trauma (both psychological and physical), which can be experienced in so many diverse ways.”

In Transmutation, performers Germain, del Moral and Morris respond in different ways to identity changes, including the learning or relearning of who they are and their relationships with others, space and the world.

AT A GLANCE

WHAT: MFA Thesis Choreographies

• Ligilo, by Jarrell Iu-Hui Chua, in collaboration with Bobby August Jr.
• Transmutation, by Christine Germain, in collaboration with Andrea del Moral and Deirdre Morris

WHEN

• Thursday-Saturday, Feb. 21-23 — 8 p.m.
• Sunday, Feb. 24 — 2 p.m.
• Thursday-Saturday, Feb. 28-March 2 — 8 p.m.
• Sunday March 3 — 2 p.m.

WHERE: Vanderhoef Studio Theatre,

ADVISORY: Rated R for nudity and brief violence

TICKETS: General admission, $17-$19, and students and seniors, $12-$14, available through the Mondavi Center box office, (530) 754-2787 or (866) 754-2787, or .

(including group ticket rates)

Studio 301 presents 'a nightmare comedy'

, the only student-run theatre troupe at �ٺ���Ƶ, presents the 17th-century 'Tis Pity She’s a Whore, John Ford’s play about two siblings who fall madly in love with each other.

With murder, gouged-out eyes, curses and bandits to go along with the incest, John Ford’s play is usually performed as high tragedy.

This production, on the other hand, draws out the absurd and the comic in the work, making the play “a nightmare comedy,” according to Studio 301. “All at once moving and ridiculous, ’Tis Pity is where Shakespeare meets John Waters," Studio 301's website declares.

“The play eschews the distinction between comedy and tragedy, even in the text itself,” said the director, Mitchell Vanlandingham, a fourth-year student with linguistics as his major, and theatre and French as minors. “Ford's talent is finding the tragedy in humor and the humor in tragedy.”

Studio 301 is staging the work as a contemporary story, but it retains the 17th-century text, he said.

AT A GLANCE

WHAT: ’Tis Pity She’s a Whore, presented by Studio 301 Productions

WHEN

• Friday-Saturday, Feb. 15-16 — 8 p.m.
• Sunday, Feb. 17 — 2 p.m.
• Thursday-Saturday, Feb. 21-23 — 8 p.m.
• Sunday, Feb. 24 — 2 p.m.

WHERE:

TICKETS: $5, available at the �ٺ���Ƶ ticket office, in person (the office is on the ), or by phone, (530) 752-1915; or at the door.