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Exhibition Features Work of Brenda Mallory, Citizen of Cherokee Nation, at Gorman

Gorman Museum of Native American Art Features Solo Exhibition 'In the Absence of Instruction’

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View of Art Exhibition at Gorman Museum of Native American Art at ٺƵ
An exhibition featuring the work of Brenda Mallory, a citizen of Cherokee Nation, is currently on view at The Gorman Museum of Native American Art at ٺƵ. 'Brenda Mallory: In the Absence of Instruction' is on view through Jan. 26. (Courtesy photo)
Multimedia work of art in red
Brenda Mallory, Fragment (To Gather), 2023, Thread, thread cores, staples, wax on wood panels is one of the works on view at the Gorman. (Courtesy photo)

In a new solo exhibition, Brenda Mallory includes prints, multi-media and installation artworks to consider the complex relationships and structures of power and identity.  “Brenda Mallory:  In the Absence of Instruction” explores an intersection of themes from the past and present to express new forms of cultural knowledge despite historical disruption.  

The exhibition is at the Gorman Museum of Native American Art, at the University of California, Davis. It  started Sept. 18 and runs through Jan. 26, 2025.  The Collections Gallery at the museum also features assorted works on rotation from the Gorman collection. Just added in fall 2024 is a selection of Diné (Navajo) tapestries.

Mallory and mixed media

Mallory is a multi-disciplinary artist primarily working in mixed media sculptural works comprising a variety of materials including cloth, fibers, beeswax, and found objects.  By creating multiple forms that are joined with crude hardware that imply tenuous connections or repairs, her work addresses ideas of interference in long-established systems of nature and human cultures.

Mallory lives in Portland, Oregon but grew up in Oklahoma and is a citizen of the Cherokee Nation. She holds a B.A. in Linguistics & English from UCLA and a B.F.A. from Pacific Northwest College of Art. She is a recipient of the The Hallie Ford Fellowship, the Eiteljorg Contemporary Native Art Fellowship, the Native Arts and Culture Foundation Fellowship in Visual Art and the Ucross Native Fellowship.

Lived experience deeply informs her practice, as do the histories of survival inherent to Indigenous peoples.

A catalog of the exhibition will be available at the Gorman for $14.95.

Collections Gallery features selected artwork,  Diné tapestries

Also on view, The Collections Gallery features a selection of artworks from the Gorman Museum collections on a rotational basis. The current exhibition is a survey spanning across the collection.  

Just added in fall 2024 is a selection of Diné (Navajo) tapestries that will be on display for a limited time. Featured works in this area of the exhibition are by:

·         D.Y. Begay

·         Ursula Begay

·         Mary Ann King

·         Mary Lee

·         Bessie Littleben

·         Rena Mountain

·         Cindy Nez

·         Rosita Segaye

·         Louise Sheppard 

·         Shirley Tsinnie

The Gorman Museum is one of the few university museums in the country, and the only one in California, with a mission and focus of contemporary Native American and Indigenous Art Museum situated within a university. 

Gallery talk with Brenda Mallory

Join the Gorman Museum of Native American Art, ٺƵ, for a gallery talk with Brenda Mallory.  The artist will discuss her portfolio of works and several of the pieces included in the solo exhibition.  The talk is Saturday, Oct. 12, 2 p.m. to 4 p.m.

All are welcome, and a reception will follow. Parking and admission is free. C Davis is committed to equal access — anyone needing to request an accommodation should  call (530) 752-6567.

The Gorman Museum of Native American Art is funded by:

  • The Andrew W. Mellon Foundation Art Museum Futures Fund
  • The Ford Family Foundation
  • ٺƵ College of Letters & Science

 

Media Resources

Photos of exhibition

Media contacts:

  • Karen Nikos-Rose, news and media relations, ٺƵ, kmnikos@ucdavis.edu
  • Veronica L Passalacqua, Gorman Museum of Native American Art, executive director, vpassalacqua@ucdavis.edu

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