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• Diane Carlson: Oil paintings — The artist is a ºÙºÙÊÓƵ graduate who studied with professors Mike Henderson and Wayne Thiebaud. Said Carlson: “I try to create paintings that reflect the influence of my own inspirations and vision, bringing a colorful and off-kilter perspective and excitement to the canvas. ... I regard myself as a perceptual experimenter and my art as a laboratory in self-expression. I paint in bold colors and wide strokes and seek emotional expression in a visual context without giving too much detail in the painting." Through  December, Buehler Alumni and Visitors Center. Hours: 8 a.m.-5 p.m. Monday-Friday, and 10 a.m.-2 p.m. Saturday.

• — Built around this year's : Why Are All the Black Kids Sitting Together in the Cafeteria? And Other Conversations About Race, by Beverly Daniel Tatum. The General Library Committee on Diversity prepared the exhibition. Through spring quarter, lobby, . Hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday.

• — In connection with National Disability Employment Awareness Month and the recent grand opening of UC Davis' . History professor Catherine Kudlick provided the exhibits and descriptions, showing, for example, a tactile replica of Paris' Institut National des Jeunes Aveugles, where Louis Braille invented his system of raised dots for reading and writing; a tactile map of Washington, D.C., with Braille labels; and the books Forgotten Crimes: the Holocaiust and People with Disabilities and Through Deaf Eyes: A Photographic History of an American Community. Through fall quarter, lobby, Shields Library. Hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday.

• — Comprising work by F. Hal Higgins, a prominent California agricultural journalist of the early to mid 20th century, who had been asked to document — in words and pictures — the importation of Mexican guest workers under a U.S.-Mexico agreement that later became known as the Bracero Program. Patsy Inouye of the University Library's Special Collections Department assembled the exhibition from the library's F. Hal Higgins Collection, one of the largest and most significant agricultural technology history collections in the United States. According to the University Library's website, Higgins' photographs offer an extraordinary look at the optimism and promise that the Mexican guest workers brought to California agriculture. Through fall quarter, lobby, . Hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday.

• I Am ... — Earlier this quarter, the "I Am ..." organizers asked members of the campus community to share their identities, by giving life to the statement: "I am ... ." The organizers asked for any kind of submission: words alone, perhaps in poetic form, or drawings — anything that represents who you are. Those submissions are on display through Dec. 10 in three venues: Mrak Hall (first floor), Hart Hall (second floor) and the Women's Resources and Research Center (Righteous Babes Lounge).

• Lampo Leong — Guest-curated by Katharine P. Burnett, professor, art history. Through Dec. 12, , 125 Art Building.

• Who We Are: Selections from the Chicana/o Studies Poster Workshop — In connection with the . Carlos Jackson, assistant professor, leads the workshop that sees the poster as a voice art form used by Chicanas/os and other people of color to point to the defects of social and political existence and the possibility of change, from the artists’ perspectives, according to the course description. Through Dec. 17, ArtLounge, second floor, Memorial Union.

• Wonderers — In guest-curating this exhibition, Matthias Geiger, assistant professor in the art department, gathered images from seven photographers and a collective whose work reflects the uprooted, peripatetic, nomadic existence that is many younger people live today. The exhibitors include Abby Banks, Richard Gilles, Justine Kurland, Joel Sternfeld, and Kyer Wiltshire, and the Cutter Collective. Through Dec. 12, , 124 Art Building. Hours: 11 a.m.-5 p.m. Monday-Thursday and by appointment Friday-Sunday.

• Works by Maurine (Fay) Morse Nelson — Largely overshadowed by her husband, the namesake, Fay Morse Nelson "was "clearly a talented artist in her own right," says Renny Pritikin, director of the Nelson Gallery, who curated this exhibition. It includes almost all of Fay Morse Nelson's works from the university's — with most of the works being exhibited for the first time in 13 years. Through Jan. 21, Gallagher Hall (home of the Graduate School of Management).

OFF CAMPUS

Wayne Thiebaud, professor emeritus of art — Five of his paintings are due to go on display Dec. 14 in conjunction with his induction that day into the California Hall of Fame at the in Sacramento. See separate stories on Thiebaud, and his into the California Hall of Fame. The museum has gathered personal items from all of the 2010 inductees, for an exhibition that is scheduled to run through next Oct. 31. Thiebaud's picks: Bikini Figure (1966), Waterland (1996), Two Tulip Sundaes (2009), and Intersection Building and Cliff Ridge (both from 2010), all oils, on canvas or wood.  The museum is in the California State Archives building at 1020 O St., at the corner of 10th Street, one block south of State Capitol Park. Hours: 10 a.m.-5 p.m. Monday-Saturday and noon-5 p.m. Sunday. (No one admitted after 4:30 p.m.) Closed Thanksgiving, Christmas and New Year’s Day, and open all other major holidays and furlough Fridays.

Fins, Feathers & Flowers: Art From Nature — An exhibition of delicate fish and plant prints by Christopher Dewees, professor emeritus in the Sea Grant Extension Program and a Cooperative Extension specialist in Wildlife, Fish and Conservation Biology, and his wife, Christine. Through Jan. 21, Davis Community Gallery, 2051 John Jones Road. Hours: 9 a.m.-4 p.m. Monday-Friday and by appointment. See their work .