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The Craft Center announced its 11th annual Gallery Staff Show and Silent Auction, starting Friday, Nov. 9, and running for almost a month. Proceeds benefit Craft Center programs.

If you are looking for unique, handcrafted gifts, then this is your chance, said Jan Garrison, Craft Center coordinator. “The gallery will be full of jewelry, glasswork, textiles, ceramics, metalwork, woodwork, photography, painting, drawing, screen printing and mixed media,” she said.

Written bids are acceptable any time the center is open, through 6 p.m. Friday, Dec. 7. The cutoff time will come during a closing reception, 5:30 to 7:30 p.m.

A live auction will commence at 6 for any items that have interested, active bidders.

For more information, call Garrison, (530) 752-3096.

OFF CAMPUS

A retrospective of works by art professor emeritus Wayne Thiebaud is under way in New York City. The show is set to run through Nov. 30 at .

includes all of the painter’s major subjects: confections and diner foods, figures and portraits, San Francisco cityscapes, Sacramento delta panoramas and his California mountain series, from museums and galleries around the country, and from Thiebaud’s holdings.

He and other artists who joined the faculty in the early 1960s would become identified with “California funk.” But Thiebaud’s work goes far beyond funk, far beyond pop. He depicts subjects “that reflect a nostalgia and reverence for American culture that sets him apart from the stark commercialism of Warhol and his contemporaries,” according to a news release from Aquavella Galleries.

President Clinton presented the National Medal of Arts to Thiebaud in 1994. He is an elected member of the National Institute of Arts and Letters, an academician of the National Academy of Design, and a fellow of the American Academy of Arts and Sciences.

He is a recipient of the National Arts Club’s Gold Medal for Lifetime Achievement in the Arts Award, the American Academy of Design’s Lifetime Achievement Award for Art, and many other prestigious honors, including five honorary doctoral degrees.

• Malaquias Montoya: Women That I Have Encountered — Exploring women’s impact on community and how their determination and sacrifice add to the energy, vigor and success of culture. Through Nov. 25, , 212 D St. Regular hours: 11:30 a.m.-5 p.m. Tuesday-Sunday.

Montoya taught at �ٺ���Ƶ full time for 20 years in affiliation with Chicana/o studies (full professor) and the Department of Art (cooperating faculty). He has worked for more than four decades in a variety of media, from drawings and paintings to murals and prints.

ON CAMPUS

• Farm to School Across the Lifespan — Photo essay by volunteer Julia Luckenbill, infant-toddler program coordinator and demonstration lecturer at �ٺ���Ƶ’ . Through Nov. 2, , . Regular hours: 12:30-10 p.m. Monday-Thursday, 12:30-7 p.m. Friday and 10 a.m.-6 p.m. Saturday-Sunday.

• Out of Line: A Show of Extended Drawing Practices — Drawing, one of the oldest art forms, continues to evolve — as shown by eight artists who have extended the medium to the very large scale. Through Dec. 16, , . Regular hours: 11 a.m.-5 p.m. Monday-Thursday and Saturday-Sunday, and Friday by appointment.

• Salt-Bitter-Edge-Red Streak into the = Water Girl: Works of Melanie Yazzie — In this printmaking series, the Navajo artist considers her experiences since being diagnosed with type 2 diabetes. She reflects upon her life today, developing new ways of living in Denver, while she remembers the events and people of her childhood and home on the Navajo Nation. Through Dec. 7, , 1316 . Artist talk and reception, 4-6 p.m. Tuesday, Nov. 20. Regular hours: noon-5 p.m. Monday-Friday and 2-5 p.m. Sunday.

• Serigrafía — An exhibition of information design in printmaking, a traditional and powerful communication tool in California’s Latino culture. Through Dec. 7, , . Regular hours: noon-4 p.m. Monday and 2-4 p.m. Sunday.

Related event: Lecture by Carol Wells, founder and executive director of the Center for the Study of Political Graphics, about California's Latina/o printmaking community, 4:20-5:30 p.m. Thursday, Nov. 1, 217 Art Building.

MORE OFF CAMPUS

• — TANA (, or Art Workshop of the New Dawn), run by the Department of Chicana/o Studies, presents a selection of works from the 23-year history of the department's Chicana/o studies poster workshop. TANA is at 1224 Lemen Ave., Woodland. Call for exhibition hours: (530) 402-1065.

AT SHIELDS LIBRARY

• — Celebrating National Disability Awareness Month and California Disability History Week. The “College to Work” theme comes from the campus’s Disability Awareness Fall Symposium, which presented two �ٺ���Ƶ “success stories”: a Ph.D. student in chemistry who is blind, and a medical student who has profound hearing loss. Fall quarter.

• — Library resources that complement the 2012 section, The Warmth of Other Suns: The Epic Story of America's Great Migration, Isabel Wilkerson's award-winning study of the Great Migration, the movement of almost 6 million African-Americans from the South from 1915 to 1970. Display assembled by David Michalski, social and cultural studies librarian, who also has compiled an , including parallel texts for examining and interpreting the Great Migration's profound influence on American society and culture. The online guide also includes interviews with Wilkerson, a list of influential books on the Great Migration, and links to archival sources and other research tools that can help animate the discussion of . Fall and winter quarters. For more information about the exhibition and-or the online research guide, send an email to the Humanities, Social Sciences and Government Services Department,  hssref@lib.ucdavis.edu.

• — A sampling from the of the university archives, keeper of such memories as Labor Day, Frosh Dinks, Tank Rush, Frosh-Soph Brawl and Wild West Days. Exhibit prepared by Sara Gunasekara, collections manager. For more information or to share your memories of �ٺ���Ƶ traditions, send an e-mail to Special Collections, speccoll@ucdavis.edu.

• — It started as a subgenre of science fiction in the 1980s — incorporating fantasy, alternate history and fantastic technology, inspired by the advances of the Industrial Revolution and the late 19th century. Like its antecedents, including the novels of Jules Verne (20,000 Leagues Under the Sea) and H.G. Wells (The Time Machine), steampunk fiction features dirigibles, balloons, everything powered by steam, and mechanical contraptions of all kinds. You can see it today in movies and art — and in an entire subculture with its own fashion style (goggles, corsets, fancy top hats, and all manner of mechanical accessories decorated with wheels, cogs, gears, clockworks and other imaginative devices). Exhibit prepared by Roberto C. Delgadillo and Marcia Meister, Humanities, Social Sciences and Government Information Service. Fall and winter quarters.

The exhibitions are in the lobby. Regular hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday.

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