�ٺ���Ƶ

The �ٺ���Ƶ-affiliated youth art center announced its first exhibition of students’ work — projects that have been completed in the year and two months since the center’s opening.

The exhibition’s opening comes with a reception, free and open to the public: 4 to 6 p.m. Friday, Feb. 25. The exhibition is scheduled to run through May.

The conceived of TANA and runs it; TANA stands for Taller Arte del Nuevo Amanecer, or Art Workshops of the New Dawn. It is in Woodland, in a one-time maintenance shed at , across the street from a large neighborhood of subsidized housing.

The center’s organizers used $342,000 in federal grant money to renovate the building. They designed the center to appeal to teenagers and other youths who live in the immediate vicinity and throughout the community.

Through silk-screen printing and mural painting, the center attempts to cultivate the cultural and artistic life of the community, while encouraging participants to seek higher education and self-determination.

“Art is like magic. It can lift people from the ashes,” said Malaquias Montoya, the �ٺ���Ƶ professor emeritus behind the project, at the time of its opening in December 2009.

“What this center is about is to bring art and culture — even for a moment — to lighten the load of the people we are trying to reach and, in that moment, they can see a better tomorrow,” Montoya said.

Carlos Francisco Jackson, TANA director and assistant professor of Chicana/o studies, said TANA is running silkscreen workshops on a quarterly basis. “After successfully completing a fall workshop, which ran from September through December, we are happy to announce that we are currently beyond capacity in our winter workshop, which runs from January through the end of March,” Jackson said.

The center’s exhibitions are open for public viewing from noon to 5 p.m. Tuesday through Saturday. Workshops are in session from 3 to 6 p.m. Tuesday through Thursday, and 11 a.m. to 4 p.m. Saturday.

“Many participants are hard at work, creating silkscreen prints and expressing a variety of issues such as culture, history and community,” Jackson said.

Read more: UC Davis Magazine (summer 2010).

ON-CAMPUS EXHIBITIONS

• American Gothic: Regionalist Portraiture from the Collection — A survey of portraiture over the past 100 years, from the university’s . Guest-curator Lee Plested has selected more than 100 pieces, including several new acquisitions never exhibited previously at the Nelson. From Whistler through Warhol, the exhibition includes significant presentations of major artists with a special focus on the Davis Five: Robert Arneson, Roy de Forest, Manuel Neri, Wayne Thiebaud and William T. Wiley. Through March 13, , (formerly the University Club). Hours: 11 a.m.-5 p.m. daily except Friday (by appointment only). This is one of two shows that are the first to be presented in the gallery's new home.

• — Faculty member Ann Savageau is the curator of this installation, showing the environmental damage from plastic bags — and promoting (and showing) an alternative: reusable bags made from textile waste. Through March 11, , 145 Walker Hall. Hours: noon-4 p.m. Monday-Friday and 2-4 p.m. Sunday.

• — Built around this year's Campus Community Book Project: Why Are All the Black Kids Sitting Together in the Cafeteria? And Other Conversations About Race by Beverly Daniel Tatum. The General Library Committee on Diversity prepared the exhibition. Through spring quarter, lobby, . Regular hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday.

• — This exhibition takes its name from a UC Davis symposium, held in November, about the Brazilian writer, poet and intellectual Euclides da Cunha, whose seminal work, Os sertões (Rebellion in the Backlands), published in 1902, recounted the messianic religious uprising that led to the 1897 Canudos War. Da Cunha also worked as an engineer, cartographer and geographer, and he was an early environmental scientist. This exhibition is the work of Myra Appel, head of the Humanities, Social Sciences and Government Information Services Department and bibliographer, Latin American Studies; and professors Leopoldo Bernucci and Robert Newcomb of the Department of Spanish and Classics, with assistance from Tim Silva (graphics) and Alison Lanius (display). Through winter quarter, lobby, . Regular hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday.

• Gordon Cook: Out There — Twenty paintings, drawings and lithographs by San Francisco’s Gordon Cook (1927-85), focusing on Cook’s fascination with water views, including many sites in the Sacramento-San Joaquin Delta, while at the same time giving a strong sense of the wide range of his work: still-life paintings and an example of the freestanding painted cutout constructions that Cook liked to make for his friends and family. Guest-curated by renowned San Francisco critic and poet Bill Berkson. The exhibition comes 22 years after the Nelson’s presentation of a Cook show organized by Price Amerson. In recognition of that event, people who visit the Out There exhibition will be able to view a video of Professor Emeritus Wayne Thiebaud’s 1988 tribute to Cook. Through March 13, , (formerly the University Club). Hours: 11 a.m.-5 p.m. daily except Friday (by appointment only). This is one of two shows that are the first to be presented in the gallery's new home.

• — Comprising work by F. Hal Higgins, a prominent California agricultural journalist of the early to mid 20th century, who had been asked to document — in words and pictures — the importation of Mexican guest workers under a U.S.-Mexico agreement that later became known as the Bracero Program. Patsy Inouye of the University Library's assembled the exhibition from the library's F. Hal Higgins Collection, one of the largest and most significant agricultural technology history collections in the United States. According to the University Library's website, Higgins' photographs offer an extraordinary look at the optimism and promise that the Mexican guest workers brought to California agriculture. Through winter quarter, lobby, . Regular hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday.

• Hidden Gems — Corrine Singleton presents photos depicting her new bronze sculpture series. "My inspiration for the Hidden Gems comes from New Mexico's Northern Mountains," the artist said. "The Land of Enchantment fills me with a deeper connection and understanding of nature and its transformation process. Each of my rocks is a small reminder of nature's scenic splendor; whimsical, delightfully energetic formations to wonder about. What are they?" Singleton is not a UC Davis alumna, but her husband, Joe, served as a coach and athletic director here from 1969 to 1987. Through Feb. 28, . Hours: 8 a.m.-5 p.m. Monday-Friday, and 10 a.m.-2 p.m. Saturday.

• Sa Moana: The Sea Inside — American Samoan artist Dan Taulapapa McMullin presents oil paintings and installation sculptures that express the complexities of contemporary life for Pacific Islanders. The exhibition, comprising new works developed recently in the Cook Islands and Fiji, and in California, address the issues of tsunami, climate change, the indigenous body, communal traditions and urban change. “From indigenous icons and social media images, Taulapapa investigates the critical position of Pacific Islanders in contemporary Oceania in works that challenge perceptions about Polynesian art," reads a postcard announcement for the exhibition. Through March 10, , 1316 Hart Hall. Hours: noon-5 p.m. Monday-Friday. Artist's talk, 4 p.m. Thursday, March 10, followed by closing reception.

• Shiny Fancies: Playing with Glass and Silk — By Kim Nguyen, spinning, weaving and small glass sculptures instructor at the . Feb. 12-March 11, , . Hours: 10 a.m.-10 p.m. Monday-Thursday, 10 a.m.-7 p.m. Friday, and 10 a.m.-6 p.m. weekends. Reception for the artist, 5-6 p.m. Friday, March 11.

• — This exhibition comprises selected works by Joyce Carol Thomas, the poet, novelist, playwright, educator and motivational speaker who was the featured author for the School of Education's seventh annual program (Feb. 9). The General Library prepared the exhibition, which is scheduled to stay in place through the winter quarter in the lobby. Regular hours: 7:30 a.m.-midnight Monday-Thursday, 7:30 a.m.-6 p.m. Friday, noon-6 p.m. Saturday and noon-midnight Sunday

OFF-CAMPUS EXHIBITIONS

• Consilience of Art and Science — Co-sponsored by the and the of Davis. "The artwork we received from artists across the nation explores the creative nexus where art and science interconnect," said Diane Ullman, professor of entomology, an associate dean and co-director of the Art-Science Fusion Program. Ullman and James Housefield, professor of design, juried the show. A jurors' walk-through, free and open to the public, is scheduled from 6 to 7 p.m. Friday, Feb. 11. The exhibition is scheduled to run through Feb. 27 at the Pence Gallery, 212 D St. Hours: 11:30 a.m.-5 p.m. Tuesday-Sunday, and 7-9 p.m. on Second Fridays (6 p.m. for members).

• Wayne Thiebaud, professor emeritus of art — Five of his paintings are on display at the in Sacramento, in conjunction with his induction Dec. 14 into the California Hall of Fame. See separate stories on Thiebaud, and his into the California Hall of Fame. The museum has gathered personal items from all of the 2010 inductees, for an exhibition that is scheduled to run through next Oct. 31. Thiebaud's picks: Bikini Figure (1966), Waterland (1996), Two Tulip Sundaes (2009), and Intersection Building and Cliff Ridge (both from 2010), all oils, on canvas or wood. The museum is in the California State Archives building at 1020 O St., at the corner of 10th Street, one block south of Capitol Park. Hours: 10 a.m.-5 p.m. Monday-Saturday and noon-5 p.m. Sunday. (No one admitted after 4:30 p.m.) Closed all major holidays and furlough Fridays.