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A new exhibition featuring pioneering artist Mike Henderson’s rarely seen contributions to the history of contemporary painting and filmmaking, radical Black politics and to the story of California art opens Jan. 30 at the Jan Shrem and Maria Manetti Shrem Museum of Art at the University of California, Davis.

This ambitious exhibition, “Mike Henderson: Before the Fire, 1965-1985,” marks Henderson’s first solo U.S. museum exhibition in 20 years. He is a �ٺ���Ƶ professor emeritus of art. Henderson started exploring the role and responsibility of an artist early in his practice. His “protest paintings” — which he began while studying at the San Francisco Art Institute in 1965 — confront the anti-Black violence of the civil rights era. One of these figurative works, Non-Violence, 1967 — included in “Mike Henderson: Before the Fire, 1965-1985” — was shown at the Whitney Museum of American Art in 1969, and in “Soul of a Nation: Art in the Age of Black Power” at the de Young Museum, San Francisco, in 2019. Non-Violence and other large-scale works bridge the gap between the past and present, challenging and resonating with contemporary audiences as America continues to grapple with systemic racism and social justice issues.

The fire

Henderson’s subsequent works offer new ideas about Black life and utopian visions in a unique visual language that merges abstraction, Afro-futurism and surrealism. In 1985, a fire in his studio damaged much of Henderson’s work from the previous two decades and partially obliterated these vital ideas about a time of tumult and change in California and the world. After his studio catastrophe Henderson never returned to this subject matter again. Many pieces that were thought lost have been recovered and restored by the Manetti Shrem Museum and anchor this new exhibition.  A slideshow of destroyed artworks is included in the exhibition to illuminate dozens of paintings that were not able to be restored.

Henderson and �ٺ���Ƶ

Henderson joined the groundbreaking �ٺ���Ƶ art faculty in 1970, teaching alongside Wayne Thiebaud, Robert Arneson, Roy De Forest, Manuel Neri and William T. Wiley. He taught for 43 years and had a profound effect on students. Henderson will take part in a featured conversation with �ٺ���Ƶ Chancellor Gary S. May at a public opening event on Jan. 29, 2:30 to 5 p.m.

Scheduling note

Henderson will take part in a featured conversation with �ٺ���Ƶ Chancellor Gary S. May at 3:30 p.m. during a public opening event on Jan. 29 from  2:30 to 5 p.m.

“We are thrilled to give Mike Henderson’s work the showcase and scholarly attention it so richly deserves,” said Manetti Shrem Museum Founding Director Rachel Teagle. “‘Mike Henderson: Before the Fire, 1965-1985’ offers visitors an integrated vision of Henderson’s politically striking contributions to both painting and filmmaking at a critical phase of his career. With this exhibition, the museum fulfills one of its highest purposes: to recuperate the art of a major California artist who is central to �ٺ���Ƶ’ legacy.”

Co-Curator Sampada Aranke adds, “Henderson’s visions of identity, race and art history help us understand his place in American painting and filmmaking in the late 20th century while asserting his relevance to the vanguard of contemporary art as well as our own historical present.”

Highlights of accompanying public programs

A robust slate of dedicated public programming is planned in conjunction with the exhibition at the Manetti Shrem Museum. Visit the website for further details and additional programs.

• Winter Season Celebration: Public exhibition opening event featuring Henderson in conversation with �ٺ���Ƶ Chancellor Gary S. May. (Jan. 29)
• The “Reckoning” in American Art History and Museums: A conversation among art historians and curators Bridget Cooks (UC Irvine) and Nana Adusei-Poku (UC Berkeley). Moderated by Stacey Shelnut-Hendrick, deputy director of public engagement and learning, Chrysler Museum of Art. (Feb. 9)
• Book Launch and Signing: Death’s Futurity: The Visual Life of Black Power: Curator Sampada Aranke in conversation with Essence Harden, visual arts curator at the California African American Museum, about Aranke’s first book. (April 20)

Comprehensive catalog

The exhibition is accompanied by a catalog, Mike Henderson: Before the Fire, 1965-1985 (, 128 pages), with a foreword by May. Exhibition curators Sampada Aranke and Dan Nadel; scholars Bridget Cooks (UC Irvine), Erin Gray (�ٺ���Ƶ), Justin Leroy (Duke University) and Carlos Francisco Jackson (University of Michigan); artists Ayanah Moor and Kambui Olujimi; and filmmaker and preservationist Mark Toscano consider the context of Henderson’s life, work and the dialogue it generates from a variety of disciplines and viewpoints.

About Henderson

Henderson (b. 1943) grew up in Marshall, Missouri, and studied at the San Francisco Art Institute, where he earned his B.F.A. (1969) and M.F.A. (1970). He retired from �ٺ���Ƶ in 2012 as professor emeritus and lives and works in the San Francisco Bay Area. Henderson has been the recipient of a Guggenheim Fellowship (1973), two National Endowment for the Arts Artist Grants (1978, 1989), and was recently awarded the 2019 Artadia San Francisco Award. He is represented by , San Francisco. Henderson’s paintings and films have been exhibited in the Whitney Museum of American Art, the Museum of Modern Art, the San Francisco Museum of Modern Art, the de Young Museum, the Studio Museum, and the School of the Art Institute of Chicago. He is also an accomplished blues musician.  

Winter exhibits

“Mike Henderson: Before the Fire, 1965-1985” will be on view from Jan. 30 through June 25, at the Manetti Shrem Museum of Art. It is curated by Sampada Aranke and Dan Nadel.

Also on view: “Loie Hollowell: Tick Tock Belly Clock” and “Roy De Forest: Habitats for Travelers | Selections from the Manetti Shrem Museum” continue through May 8.

Visitor Information

Jan Shrem and Maria Manetti Shrem Museum of Art, 254 Old Davis Road, Davis, California.

Admission is free for all.